Research Doesn't End When You Leave School....

Recently I've been getting asked advice by friends about writing and grad school and getting published and such, inquiring for others as well as themselves. So I figured I'd add to the bevy of information posted online about getting published, finding an agent or graduate school or critique partner and so on. This isn't on how to write or keep writing but this is on that other aspect that some fail to grasp which is the effort outside of writing but in how to have your work seen. And the sole answer to that is: Research.

At AWP in Boston this month I was at an agent panel, one of several that was packed by emerging writers seeking advice and guidance. The Q&A got a bit repetitive depending on which panel(s) you went to but the same message could not be relayed enough it seems, which is: do your research.

One writer actually told the panel that it seemed too arduous to research agents. One of the agents on the panel was actually quite nice, but also very serious when he said, "If you're expecting me to spend what could be up to 20 hours to read and consider your manuscript, the least you can do is make sure it's worth my time which means taking the time to do research on what I'm looking for."

Well said.

It's amazing how many times I've heard, seen, and also experienced rejected based on the fact that one did not do their research.

I know, it seems like after writing and editing, critiquing and reviewing that your job should be done. You would like to think that any agent who is a fan of books would like ALL writing. But, as any reader knows it's all subjective, it's just hard to consider this when it comes to our own work. When others say they enjoy your work it's hard to take when you expose it to others and hope they'll enjoy it too. But there are ways to save yourself from this. One of them is to, yup, as repetitive as it sounds: do your research.

Researching literary agents is a MUST. There are so many agents these days and the list is growing. With publishers downsizing editors may transition to agent roles. Each agent has specific requirements when it comes to their growing list and if you write literary fiction and Agent A wants commercial it is a waste of both yours and the agent's time to send them your coming-of-age novel.

What can be harder is if you write literary fiction and an agent takes that, but how do you know yours is right for him/her? Publishers Marketplace, the agency website, Writers Digest even does spotlights on agents, and there are regularly listings of books sold (editor, author, and agent attached), as well as the acknowledgment pages of books you enjoy. If your book is on international characters and you see that an agent seems to like historical book based in North America only perhaps he/she may not be right. If the agent likes nonfiction and you're writing a memoir make sure the agent includes memoir in their growing list. Some agents have blogs, many are on Twitter. An agent I follow, Pam van Hylckama of Foreword Literary may do #tenqueries. In #tenqueries Pam notes why she will or won't accept a query and many times it's because she's been queried for projects she does not represent and of course bad query letters but that's a whole other blog post. This is super helpful for aspiring writers to know what agents they may want to query are looking for and who they represent.

In regards to literary magazines I cannot praise Duotrope enough as a resource. I've been using it for years and it's now a paid service ($50/year) but if you're actively searching for lit mags and trying to send out pieces, track them, and get a sense of what genres lit mags take as well as their submission periods Duotrope is invaluable. From there you can check out archived issues if a magazine may have it online to see if their work is a fit and potentially submit or keep them in mind for something in the future.

The same research you'd put into residencies, graduate school, undergrad, conferences, and so forth. You research costs, what people may have thought about them, what you can get out of the program and who is teaching. All of these things are important to ensure you get the most out of any experience and most importantly do not waste your time or others. Somethings are a shot in the dark and it may or may not work out in your favor. But at least if you did a bit of preparation beforehand you can avoid many blows.

Book Expo 2011: Come one, come all!

This year's Book Expo of America (BEA) brought back memories for those of us who'd attended years prior.  While last year was truncated both in size and scope and also in terms of what publishers offered, this year sought to improve upon that with many giveaways and choices and even a joint convention with the Book Bloggers Convention at Jacob Javits Center in midtown Manhattan. It wasn't as humid as last year but the sun was in full effect which made for a lovely week for visitors and natives to enjoy this event pre-Memorial Day weekend. Last year some notable trade publishers did not have booths. But this year they came back full force. When talking to one of the publicists with Scholastic she mentioned that a big complaint was that they did not have giveaways last year except for author signings in the autograph area, but this year they had a huge booth in the Children's pavilion and had many giveaways including a new book by Maggie Stiefvater (The Scorpio Races) along with galleys of the last book in her Wolves of Mercy Falls series, Forever, and Wonderstruck a new book from Brian Selznick with a lovely, durable tote to accompany the galley.

Hachette Publishers had many giveaways as did HarperCollins, Macmillan, Random House, Gray Wolf Press, Harlequin, Cleis Press, and Penguin. Authors in high demand and with huge lines included Colson Whitehead, Chuck Palahniuk, Tom Perotta, Ally Condie, Melissa Marr, Rick Riordan, and Scott Westerfeld among many others including celebrities with books out (or due out) like Duff MacGrath, Tyra Banks (yes, Tyra is in the book mix now), Julianne Moore, Diane Keaton, Jane Lynch, Michael Moore, and the list goes on and on again.

Tuesday was a mad house with ARCs (advanced reader copies) everywhere! At 9am sharp the masses tend to divide and conquer and get their hands on items that they hope will keep them from standing on a massive line later on in the day. In speaking with many people on lines that you, inevitably, stand on it's always interesting to talk to attendees about their excitement in meeting established authors or being introduced to new ones that they end up loving. These ARCs do a great job to promote debut authors and familiar ones while entertaining readers to no end with the amount they can get their hands on.

While last year's main "theme" was Books in a Digital World it wasn't the main element in panel discussions as it was last year. This year Book Expo was held in conjunction with the Book Bloggers Expo and BlogWorld in addition to the International Digital Publishing Forum (IDPF) conference. Press who registered for Book Expo were able to get into some of the other events held at Jacob Javits Center that week. There was a section devoted completely to the rise and growing efficiency of digital publishing for books and the many companies offering services in conversion and distribution.

Self-publishing is also on the rise. I conducted an interview with actress and new author Tanya Wright on her new book Butterfly Rising published with CreateSpace (a self-publishing sector of Amazon) and author Maria Murnane (Perfect on Paper), and CreateSpace sr. marketing manager, Aaron Rosenstein, about what CreateSpace offers as a newer face in the self-publishing world and how it really caters to authors giving them back control of their work. Amazon has also grown in the publishing world with their own publishing imprints as their awards to find breakthrough authors has set them on track to publish many beyond those voted on by Amazon members/visitors. Amazon conducted many signings at their publishing booth and had a strong presence at Book Expo via CreateSpace.

The New Title Showcase is where many self-published authors with more familiar services like iUniverse, Xlibris, and AuthorNotes had their books displayed, but sometimes these get lost in the crowd when it comes to being exposed to a new audience. This is where CreateSpace has more pull in its connection to a stronghold in the publishing and book buying world. Especially since they had a booth to display their authors and their titles rather than having their work lumped together on shelves making the choices akin to being in a bookstore for readers. And when you're on a schedule you may not have time to search through New Titles in the hopes that something may catch your eye when there are so many publishers, authors, galleys, and booths vying for your attention on the main floor.

Many of the Author Stages talked about anticipated upcoming books, ebooks, and also conversations with authors about their process and what's next. There were many "buzz panels" where editors talked about upcoming books they were excited about, many of which had galleys available and were being pushed from new YA series to "The American The Kite Runner" and so on.

Wednesday was just as busy but probably a bit more subdued in the fact that many people got key finds on Tuesday. I was able to navigate and got to meet some wonderful authors. Tayari Jones' new book Silver Sparrow came out last Tuesday and she signed copies of the hard cover.

Laini Taylor was around signing ARCs of her new book with Little, Brown Young Readers Daughter of Smoke & Bone where about a thousand copies were available. Tom Perotta signed for more than his designated time and was kind to each and every person in line who patiently awaited his signature on his new look at a world post-Rapture (perfect timing no?), The Leftovers.

Thursday is always the more relaxed day in that many people use this time to recover from standing in lines and carrying hefty totes full of galleys and new titles. There was less of a rush on Thursday and the doors closed at 3pm allowing exhibitors to clean up and pack up and attendees to prepare shipping and perhaps even enjoy the city.

The week of Book Expo in New York also marks New York Book Week and that means...after-parties! On Monday I went to the Teen YA Carnival in SoHo with author Shana Silver and heard a nice discussion with David Levithan, Kody Keplinger, and Torrey Maldonado among others on writing teen angst though this discussion turned more into their background and how that's helped their process in writing for a YA audience. There were some giveaways and a lot of books to get signed by these authors and others including Malinda Lo!

Tuesday's big after-party was in SoHo where many went to the Bookrageous BEA Bash at Lolita Bar where many authors such as Scott Westerfield, Lev Grossman, and Catherynne M. Valente were. There were numerous author talks in the afternoon and evenings and various events not listed in the New York Book Week guide attendees received along with the list of exhibitors, author signings, and coupon book for deals around the city during the week.

On Wednesday my friend Bonnie and I attended the first ever Goodreads Book Club event at Housing Works where Jennifer Egan's Pulitzer Prize winning book, A Visit from the Goon Squad, is the pick. Ms. Egan signed copies of her books and chatted with the audience while we were entertained by teenage band Care Bears on Fire. Good times. (All proceeds from this event go to Housing Works' mission of supporting AIDS research and individuals with AIDS).

Thursday, more events, but Anna and I attended Scholastic's ThisIsTeen event at the Scholastic store where Libba Bray, Meg Cabot, and Maggie Stiefvater briefly spoke on their writing methods and about their new titles. For Ms. Bray Beauty Queens has already gotten a lot of buzz and was recently listed as one of the "must" on Entertainment Weekly's 10 Must List. 

The rapport with the authors was one of camraderie and comedy and it was a pleasure to hear them speak and then engage with them as they signed copies of their books as well as ARCs that may have been made available at Book Expo or to bloggers/press.

By week's end I believe I collected less books than I did last year. And having learned from years past I made sure to have a wheely suitcase along with me to prevent me from having a sore back and shoulders for days. Though, my feet are a whole other story.

I've met many wonderful authors and fellow book lovers/bloggers at Book Expo and am connecting with people more and more via Twitter each day based on our experiences.

For book lovers Book Expo is similar to Willy Wonka's chocolate factory and us being Charlie or one of the other kids having the golden ticket. But I'll go with Charlie cause he was in awe and so appreciative of what he was able to be a part of. As book lovers, book sellers, publishing professionals, authors, publicists, bloggers, and so on we all come together at this huge event to learn more about authors, the book world, and the tomes we love or may grow to love. We post and report and review to share knowledge of what we deem good or bad and no matter what we're constantly entertained by what's out there for us to consume.

Here's looking forward to another Book Expo in New York next year. It'll be the first week of June, which hopefully means more sunny skies and brilliant evenings.