Jentel Artist Residency: Week 4 (Heading out)

As much as it pains me to write this, we're in our last week here at Jentel and man did that get the creative juices flowing! Our regular gatherings diminished (though we did cook regularly for the group) in lieu of everyone wanting to work, work, work. Me, I definitely pursued morning (kinda), afternoon, and evening hours. Where as we started on a kind of 9a-5p grind that quickly moved to a 9a-10p grind with the reality settling in that we wouldn't be here much longer! (insert sad face here) So what have I been working on while in Wyoming? What is this Collection I've mentioned? Well, in my attempt to summarize, I am writing a linked collection of stories based on a biracial family in Long Island (where I was raised for the first eight years of my life) that transcends generations. Consider it Contemporary Literature akin to Olive Kitteridge (a tome that inspired me during the revision process) and even A Visit from the Goon Squad. This Collection became my passion project soon after I finished a novel that got lukewarm responses and continues to be after more than three years. The Collection began as one short story about a girl trying to find out more about her deceased mom and sprouted into a beast within itself. In the past year I have to credit my peer group buddies and workshop group with helping me whittle down fifteen imprecise stories to eight focused pieces. I have to credit Writer's Digest with reminding me to start from the latest point allowing experimentation as I pursued revisions of every story in this collection (and thusly thank my aunt for her gift subscriptions over the years to Writer's Digest). I have to credit the Postgraduate Writers' Conference and Ellen Lesser for helping me see the full potential of this project and to streamline what's happening. And also to Ellen, Jeff Renard Allen, and April Davis for recommending me for this residency.

I have to say the surroundings here in Banner and via Neltje's great skill in design and comfort, inspired me with the collection and I feel like I have a lot more focus on it than I did a year ago. By the end of this trip I completed complete revisions for each story and am pretty confident at least three are near completion. I've also been inspired being around such phenomenal visual artists and another great writer in that I found myself writing some poetry (April was National Poetry Month after all) and Karen's son is a poet so she shared some of his work and others she really liked with me which fueled a fire.

But, enough about me, there were good times to be had! Lisa, Joyce, Karen and I went to the Occidental Hotel in Buffalo for their weekly jam session and met some wonderful people. The food was your usual bar food fare, no more no less. I ordered a grilled Caesar salad and was brought a hunk of iceberg lettuce charred around the edges. This, I had to send back. And my options were few. I ordered coconut calamari and was informed they don't cut it up, they serve you the squid whole. (sigh) Okay, so fried shrimp and onion rings it is!

The music was great and the jam session was just that, musicians coming in and out for songs and slipping into the rhythms easily. They all know each other and upon speaking with a fiddler the following day was informed that sometimes musicians just stop by for a week, jam, then leave. Awesome? Yes.

The weekend brought the rare opening of Neltje's antique shop to the public (no appointments necessary). I hoofed it up the hill for 1.6 miles to the destination in harsh winds. When I got there it was like a mini mall but more homey. The staff was uber friendly and I went in with the intention of buying nothing. This did not happen. And for an antique opening they know how to welcome you! There were snacks and offerings of dip they sold so you can taste it. There's everything from cards to pocketbooks to cookbooks to scarves to all kinds of furniture and homemade art by Neltje herself. And everyone is really nice! A couple who passed me on the road offered me a ride back to the residency and we talked about their son who happens to be a sculptor. I urged them to urge him to apply to go here.

Yet again, the kind people of Wyoming never fail to astound me with their generosity. A good day.

We headed to Lulu's Cafe in Sheridan on Saturday. A place we've been trying to go to since week one. They serve all organic food, homegrown. I had a salmon burger that was ridiculously good. I dreamt about it the following night and had a nice mint blueberry margarita (though it tasted more like a mojito). Either way it was very satisfying and sweet. Everyone loved their food. The gluten free desserts left a bit to be desired texture-wise but you can't beat the service and feeling like you're being welcomed in someone's home. The owner, Lynne (not Lulu), was like a mom who wanted to make sure you were comfy at all times. Small and exquisite describes Lulu's to a T.

And then came Open Studio! This is kind of tradition where everyone welcomes the other residents to their studio to see/hear their work. Lorraine and I went to the artists studios and were astounded by how much they've done and the differences in everyone's work. Karen worked on many black and white items, large and small. Joyce had a variety of intricately painted nests as well as adorable matchbook paintings that we got to have. Rachel did some amazing work with fabric in vibrant colors, also doing a trek around the land where she photographed one of her pieces in the midst of the terrain surrounding the residency. Brilliant. And Lisa showed us her work on a smaller scale that had a lot of vibrant colors of red and green (one of my faves). The artists each gave us gifts to take with us. Here's Rachel's.

She made a Jentel/Neltje brand for us to have. I'm so excited to show their work in my office.

After snacks (see gratuitous food shot) we went to the media room where Lorraine and I read work we completed (thus far) while here. Lorraine's also working on a linked story collection so we got to hear more of the travails of her protagonist. And Lorraine is an amazing reader, she inflects the right words and also acts out moments. I love the times we've gotten to hear her read. She knows how to paint a picture with words.

I read the ending of a story I completed here and am quite happy with the voice and tone. Apparently, I captured the angst of a seventeen year old boy pretty well.

Monday and Tuesday were cloudy and rainy and windy unfortunately. But we looked forward to sunny skies that came upon us slowly on Wednesday and full on on Thursday post-errands. There was hulu hooping and dance music and more cooking on our last evening with Lynn. We each got gifts! Here's mine:

Since Joyce was a second-timer she got something even cooler!

As we consider everything it's been an amazing time and I feel extremely blessed to be surrounded by such amazing artists and women. Great! Some things I want to make you aware of when/if you come to Wyoming:

1) Winds are way worse than the "wind tunnels" in New York City.

2) Buy hiking boots (props to Northface for their wonderful boots that got me through many excursions.). No, seriously, buy hiking boots and good ones.

3) Be nice to everyone. Pay it forward, people.

4) Bring bug repellent in the warmer months.

5) Cows and horses will stare you down, so show no fear.

6) For God's sake enjoy the landscape and relax! There be mountains!

7) When driving, beware of wayward deer, moose, antelope, and wild turkey (not the drink).

Below are the links to the websites of the artists I got to spend time with in Wyoming during these past four weeks. People I admire, and respect, and miss terribly.

Lisa Buchanan: www.lisabuchanan.com Joyce Ely-Walker: www.joyceelywalker.com Lorraine M. Lopez: www.lorrainelopez.net Karen McAlister Shimoda: www.mcalistershimoda.com Rachel Meginnes: www.plainweavestudios.com

Check their work out, buy it, follow them (on social networking sites, not in life per se), contact them, visit their gallery openings or readings and continue to support the arts! If it weren't for amazing residencies like Jentel (and amazing people like Neltje, Mary Jane, Lynn, Matt, Donna, and Debbie) many of us would never get our foot in the door. So it means a lot to have this support and acknowledgment that you have a story to tell whether it be in words or illustrations.

Writing groups & workshops can be really helpful…if you find the right one.

Writing groups, workshops, or getting insight from people you trust are all necessary in the artistic process of writing. No matter the genre or the scope it's important to have a critical eye look at you first draft (or drafts) and help you flesh out your novel, story, poem, personal essay, etc. Definition A writing group may be just that: a group that writes together. Or it may be a group that writes together and critiques one another’s work within a session. The basis of a workshop is that the entire session is dedicated to appraising each other’s work. It’s important to differentiate the two in your mind and decide what you may want in terms of help with finished pieces or just a push to write on a consistent basis.

Atmosphere Writing groups and workshops are overly available and not, which is a Catch-22 of sorts. Mind you there are many groups/workshops out there full of "writers" but not necessarily writers with a critical eye. From high school on I've been in workshops and among people that vary from being overly analytical of your work (If you’ve never done that how can you write about it?) to not giving a damn because they aren’t serious (This class was supposed to be an easy A.) or just want to get as much feedback as they can for themselves (Enough about me, what do you think of me?). When you hit the jackpot and find not just one, but several people in a group who are outgoing and help you tackle the problem(s) in your manuscript it can be the best thing ever. When you experience those who just don't know what it is they do and don't like about your work, people who go on to focus on simple things like the overuse of one word, or simply say “I liked it” can make you downtrodden.

I’ve experienced good and bad writing groups/workshops in and outside of the academic environment. Students in my undergraduate and graduate courses were not “in the know” in regards to proper workshop etiquette and would either blatantly bash your work or roll their eyes at the thought of it or remain mute throughout the semester. In a smaller writing group outside of class things may be better or worse. Perhaps you have a thick skin and want to hear every last issue with your piece or maybe you want people to handle you (and your work) with kitten gloves therefore you need to hear the good along with the bad, preferably in that order. In the real world, with no instructor acting as mediary/Yoda there’s even more of a chance that people won’t stick to their guns about attending group regularly or providing feedback as there’s no threat of a bad grade on one’s transcript.

Etiquette For those of you who may not be familiar with the workshop environment here are some tips:

1)    Sharing means caring – Everyone has a story to tell, so try to be polite and professional when attempting to critique another writer’s work. Sharing one’s work isn’t an easy thing to do and to be bashed by people you may or may not know can hurt the ego. So be kind and try to acknowledge the good and bad of a piece to show you care about the work itself and seeing it progress. Example: “I enjoyed the visuals in this piece and how much you made me feel in the moment as a reader in the first few pages. I completely saw the environment I was in in 1920s Mississippi. I did think there was a bit too much description at times and would suggest cutting certain parts. For instance...” 2)    Don’t be afraid to speak up if something doesn’t make sense – Some may gloss over the points they don’t understand and just focus on what made sense to them in a piece. This can hurt the author because they can’t see what you as a, hopefully, objective reader can. After rewrites and plotting the author is so connected to the piece they may not see the glaring holes that you do. So if there’s anything that didn’t strike you as clear make sure to mention it and not worry if you may be the only one that missed something. Example: “I’m not too familiar with The War of 1812 so there were aspects of the battke scenes I couldn’t get into fully. Maybe you could be a bit more descriptive of the lay of the land and the machinery used then or add footnotes to certain things for those who may know to skip and those who don’t to take a look at?” 3)    Multiple reads are a good thing – When writing a formal report sometimes you re-read portions of the work your focusing on to get a clearer sense of what you’d like to say about it. The same goes in a writing group/workshop. What you may have missed the first time around you may suddenly see in the second or third read. Or you may notice elements of the story that don’t work upon an additional read. I’d suggest reading a piece at least twice before providing feedback to the author, more if time and length of piece allow. 4)    Keep an open mind – Many of us have our favorite genres. Some love science fiction and fantasy while others abhor it. Some love chic lit, others prefer literary fiction, some literary non-fiction, some historical books. We all have something we prefer over something else. Yet in a writing group (unless it’s focused towards speculative fiction, sci-fi/fantasy, YA, erotica, etc.) we have to be open to all sorts of genres. Just because you may not read YA doesn’t mean you won’t be able to provide suitable feedback to a member in your group. If character development is off or the setting isn’t clear than these are things that can be helpful whether you’re a fan of the genre or not.    Example: “I was really into this. The narrator is funny and brought me right into the plot with his acerbic wit. Some of the more technical aspects of what makes speculative, speculative and not solely sci-fi I may be not know, but as a story I am entertained and would continue reading after the first few pages because I like the characters and setting.”

Of course, there may be times when you really cannot get into the work because you’re just not too into the genre for specific reasons (language seems too artistic and not focused, reminds you too much of Virginia Woolf and you can’t stand her) this is also a good time to mention you’re not the reader for this person’s particular style and can note the reasons why. Either way you’re helping to provide the author with some feedback as to who their audience should be, in which case this also helps them to know to narrow things down when submitting pieces to magazines or agents. Example: “I’m sorry. I tried reading it and it made me a little uncomfortable because of the heavy religious undertone throughout. I thought it was well written and held the main argument in the piece. But also felt it was kind of biased, so I’m afraid I couldn’t give it a fair read as you may have wanted. I just don’t think I’m the reader you may be reaching out to in this piece.”

The Good and the Bad There are writing groups that are open call and some that tend to interview participants before allowing them to enter the arena. In the case of the latter it may be a payoff because you know that the interview process is routine and that others have been through the same thing. Knowing a group takes applicants and their work seriously can only be a plus. I would warn one to be weary of groups where no meeting is necessary and one just throws their work into the fire. It’d be best to meet with members first, see how they treat one another and critique, then make a firm decision.

Something else to be weary of is writing groups with friends. Like everything in life there can be a good and bad side to this. I became friends with writers I met at an international writing conference. When we returned to our respective homes I got in touch with those in my area and we decided to meet monthly and discuss each other’s work. Since it was established that we were serious enough to pay through the nose to go overseas for a writing conference it turned out to be a positive meeting of the minds locally. On the flip side, I’ve attempted writing groups with friends of mine I knew wrote and these get-togethers were more happy hour hangout sessions than writing/critique sessions. Plus, friends may flake out more than those you don’t know because they expect you to understand. Hell, you saw your friend just last week at karaoke, you know what the deal is! This can make things murky so that the excitement in the beginning drops off slowly then steadily once other things get in the way. In these cases if you have friends who are serious pin them down, now. If it’s easier to just do some e-communication with them to get feedback on your work and vice versa this may be the route to go.

Move Forward Just because you may not have anyone with a critical eye to readily look at your finished draft(s) doesn’t mean you should pump the brakes on your writing completely. Continue to progress and proceed with other work. Heck, it wouldn’t hurt to give a piece a rest for a bit if you’ve been living with it for months or years before taking another crack at it. Let the manuscript marinate!

But in the mean time, be on the look out for writing groups/workshops in your area and see what they’re about. You might even consider going for a graduate or post-graduate degree to focus more on your writing and meet published authors that can give sound advice. Just. Don’t. Stop. Writing.

Here’s a list of places you may be able to give and get feedback on your writing: $ denotes fee

Online Writing Groups/Communities Critique Circle EditRed.com FanStory.com Goodreads Book Excerpts group Gotham Writers Workshop – Offers some free and fee-based courses online or in-person.  ($) Mediabistro – Offers online and in-person classes/workshops. ($) Mike’s Writing Workshop Online Writing Workshop The MuseItUpClub Critique Group Scribophile.com ($) Writer’s Digest University (formerly Writing Workshops Online) ($) The Writers Studio

Workshops/Writing Groups Asian American Writers Workshop Craigslist - Every so often someone may post searching for writers to join a group in the Writing section. East Harlem Writers’ Circle (NYC) - Become a fan on Facebook! Freebird Writing Workshops (NYC) ($) Gotham Writers Workshop (NYC) – Offers some free and fee-based courses online or in-person.  ($) List of Latin focused writing groups Mediabistro – Offers online and in-person classes/workshops. ($) Meetup.com – May list some writing groups/workshops seeking new members to meet regularly in various locations throughout the US. Morningside Writers Group (NYC) - Offers workshops in fiction, memoir, speculative fiction, and screenplays. ($) 92nd Street Y (NYC) Unterberg Poetry Center Writing Program for poetry and fiction workshops. ($) NYC Latinas Writers Group - Become a fan on Facebook or a friend on Myspace! NYC Writing Coach – Editor provides one-on-one help and workshops. ($) New York Writers Coalition New York Writers Workshop ($) The Sackett Street Writers’ Workshop (NYC) ($) The Writer Magazine list of Writing groups (USA) The Writers Studio

Also try:

Local colleges/universities – Beyond workshop classes for degree students colleges/universities may also offer workshops for continuing education students. Alumni may be searching for people interested in starting a group on or off campus. (Here are a few places offering free writing courses online.)

Various writing conferences, residencies, and week-long (or longer/shorter) workshops go on across the country (and world) throughout the year. Poets & Writers has a list of residencies and conferences or you can try ShawGuides or Google ones by genre/location. You can apply for financial aid for many that are connected with colleges/universities or apply for grants you may already have from school or fellowships.

OR you can form your own group/workshop by placing an ad or conferring with friends (serious writers need apply!).