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Fave Reads 2013 Edition

Annual wrap-up lists have posted or are posting and so here's mine for my favorite reads of the past year.

This year I read some books that disappointed by authors I like, but I was also introduced to some fab reads by new and established authors, and am very much looking forward to a new year of new books as well as new characters and worlds to get immersed in. Bring. It. On. Literature. My standout reads read in 2013 (not necessarily published in 2013) are as follows and are in no particular order:

  • The Coldest Girl in Coldtown by Holly Black (2013): A friend lent me the ARC for this one. Holly was a big draw at BEA this year and this was my introduction to her writing. It's one of the first YA books I've read with vampires. Yes, the first. I have to say the standout characters in Coldtown definitely make this a solid standalone book to the fantasy arsenal while showing a narrator making mistakes, reflecting on her life and losses, and willing to do what it takes when she realizes what she truly wants. The alternate POVs and narrative voice that goes from Tana to the company she keeps is enthralling from page to page.
  • The Best American Magazine Writing 2012 (2013): Since I was introduced to this anthology reading the 2009 collection I have made it a point to read each year's anthology and enjoyed this one with the variety of journalistic perspective from those taken advantage overseas and attempting to gain justice to those just trying to get by to race as it stands for Asian Americans in the U.S. Nonfiction brings a truth to our lives that we don't normally see/hear about and every year this collection engages and increases my knowledge and thirst for more knowledge about what goes on not just around me but in the world.
  • Gone Girl by Gillian Flynn (2012): This was the book that almost everyone I know has read and enjoyed or partially enjoyed, but the fact is everyone was talking about it. So of course I read it to see what the hype was about. I enjoyed it, even knowing an important fact about the story I enjoyed the utter despicableness of these characters and people willing to do whatever it was to get what they felt they deserved. I get that some people would be turned off because it's about "privileged White people" in a way, but it's not because these people were on a pedestal and then promptly had that pedestal kicked out from under them to reveal their truest selves. And that, was enjoyable to see play out.
  • This Is How You Lose Her by Junot Diaz (2012): Yes, Diaz is a genius. Yes, Diaz has a great style. Yes, Diaz's latest collection is good, very good. And yes this is one of the few literary books I read this year by a writer I admire that did not disappoint, but had me like him even more. My favorite story of this collection was the "Pura Principle." Diaz shows characters at their worst and also shows people fighting day by day to survive and admittedly has some people come to terms with who they are through others problems and faults. Junot is a great artist and a respected person and I look forward to whatever else he contributes to the literary cannon. I don't care if it's a haiku.
  • Tampa by Alissa Nutting (2013): Another hyped up book because of the content mainly. This book is about a female pedophile. This book may make you cringe and throw the tome away. This book may make you feel a lot of things but it will make you feel something. The prose is directly from Celeste. A well off, beautiful, and yes conceited woman who knows who she is. Celeste knows her desires are bad but she doesn't give a damn and she goes after them with so much force you are thrust into the craziness of her situation and mind for the full ride. Nutting's success is in getting you in there and understanding Celeste. Not liking Celeste or relating to Celeste but understanding her need and that's what makes this book successful. I have not read Lolita. And there's been extensive comparison of it to this book but I think Nutting did something on her own here and the fact that it's a woman in 21st-century America may make people biased but hey it's not like there aren't other books with similar subject matter out there.
  • Go Down Together: The True, Untold Story of Bonnie & Clyde by Jeff Guinn (2010): This was a bookclub pick so I may not have found it had it not been on our list. But I am glad I did. Guinn reveals the true Bonnie & Clyde to be hapless, lucky (and unlucky in their demise), unorganized, flashy criminals who are villainized a heck of a lot more in their death than they were in actuality. Accidents resulted in their infamy but really they loved their families and just couldn't get a break. That's not to say they, mainly Clyde and his gang, didn't do bad things and people didn't get hurt. But when push came to shove they were not cold-blooded killers as portrayed in film and even in the miniseries that came out late last year. It's good to have extensively researched material like this to provide a glimpse of reality to characters who were real people.
  • The 5th Wave by Rick Yancey (2013): As far as series go I'll admit that I am getting kind of tired of them. BUT, 5th Wave for me was a standout that got me excited again because of Cassie and Zombie. The gradual reveal of how the waves took down society and how each of these characters lost their families, the feeling of kids being brought up for killing and rage. So many things keep you interested in what the larger war will end up being in this book that I wanted more and I wanted it ASAP and I will gladly, but impatiently, wait for the next two books in this trilogy. Keep up the good work, Mr. Yancey!
  • Eleanor & Park by Rainbow Rowell (2013): More hype! More deserved hype! E&P as it's been affectionately known as was something I heard spread through wildfire via Twitter from book bloggers and avid readers who loved this book. And Rainbow is so sweet and has such a nice Twitter presence, and that cover!, so I bought the book and totally saw what everyone else did. Eleanor & Park is a love story that takes place in the 80s between a red-headed girl and a biracial boy trying to find themselves in high school and thus find each other and love and heartbreak and so many things! It's a tender story that anyone can relate to on so many levels between Eleanor hating her body and hiding it to Park feeling like his family doesn't understand him and rebelling and each of them losing a lot in that time period they find each other. Such a sweet and compelling read I urge you to delve in.
  • The Dream Thieves by Maggie Stiefvater (2013): 2013 was a good year in YA as far as I'm concerned and as you can see from this list. Maggie's sequel to The Raven Boys had me staying up to reread sections and going on Twitter to ask who else read it so I could discuss and Maggie herself saying "I read it." And me gushing how much I loved it and went back to book 1 to see her subtle hints. Well played, Maggie. This book follows Ronan primarily and while he was a sullen, angry man in book 1 you learn why in book 2 and see so much potential for heartbreak with him and others as the story careens to it's last two books. Man, I am getting ready for heartbreak myself but with Maggie's literary style and way with characters I think I'll enjoy the ride.
  • Two Boys Kissing by David Levithan (2013): Long-listed as a finalist for the National Book Awards in Young People's Literature Levithan wrote a beautiful and elegiac story with a chorus of deceased gay men to a younger generation in this story that winds separate lives during one event that feels huge for these teenage boys. It's just beautiful. Beautiful, beautiful. For some it may be too "preachy" or too "hopeful" I think we need more books like that done this well. Not everything should be dark. And I should know, I write a lot of dark stuff.
  • Tiny Beautiful Things: Advice on Love and Life from Dear Sugar by Cheryl Strayed (2013): This is the collection of questions and responses from when Strayed was Dear Sugar for the Rumpus. If you've heard Cheryl read live she has a soothing, maternal voice that you want to just have her hug you and promise everything is okay. She maintains this voice in Tiny Beautiful Things but also hits you with some realness and tough love as well. Her experiences really aid in understanding her responses and in fact make her one of the most perfect people to have been Dear Sugar for her thoughtful and careful responses to serious and sometimes not so serious questions, but all are reflective and will lead you, they did me, to really sit and take her advice to heart and learn from it.
  • Icefall by Matthew Kirby (2011): I had the ARC for this middle grade novel for a bit and finally delved in and enjoyed it thoroughly. Icefall follows a group, some we'll note are Vikings, as their world comes to war but is narrated by eleven-year-old middle child, Solveig, who does not know her place in her family. Her older sister is the pretty princess to be married off and her younger brother is heir to the throne, but what is Solveig's place in her family? Kirby does a great job of keeping up the tension and building the mistrust of those Solveig cares for and is unsure of resulting in some surprising results. Interspersed with the action of hiding in ice while awaiting news from her father are the stories told by the Storyteller who has a role in not just being entertaining but building morale. It's a really good coming-of-age novel that shows growth of a character and the realization of close ties.
  • Ayiti by Roxane Gay (2011): I was mainly amped that I got to meet Roxane Gay at AWP let alone get a signed copy of her first book. This is a collection of stories and you know I love my collections but Roxane does different styles with each not just telling you actions with prose but giving you poetry or lists or sections/scenes like a screenplay, journalistic versions and so forth that succinctly get into the minds of these characters and their experiences. I read all of Ayiti during my train ride home from Boston and have to say the standout to me that had me smacking myself with "How the hell did she do that?!" was "You Never Knew How Deep the Waters Ran So Cruel So Deep." That is a story in LIST form. Read it. Fantastic.
  • The Art of Fielding by Chad Harbach (2012): It took Harbach 10 years to finish this novel and it was well done in that time. Fielding isn't about baseball it's about people. It's about being scared of growing up. It's about failure. It's about realizing your limits and not taking it seriously. There's a robustness to Fielding and the characters in this text that makes it standout as a debut and may also be considered, by some, a coming-of-age novel for the collegiate characters it follows. I think the main female character of Pella could've been given a bit more in terms of strength but she carries herself and grows into herself and Harbach shows that growth, in a way. I love Schwartz. Love him. I want to date him and marry him. That's rare in fiction.
  • Complications: A Surgeon's Notes on an Imperfect Science by Atul Gawande (2002): This was the first book I read last year in full and it was fantastic, and scary. A National Book Award Finalist in Nonfiction, Gawande writes about why and how physicians can make mistakes. He's a doctor writing about how things can happen, how illnesses can be overlooked, how much residents push to try and be taken seriously but will often be passed over by experienced doctors who can still make the tiniest of errors that can be quite costly. I was into this book from page 1 to the acknowledgments and want to read everything by Gawande now.

Other notable reads for me this year were Men We Reaped by Jesmyn Ward (2013), The Evolution of Mara Dyer by Michelle Hodkins (2012), How to Save a Life by Sara Zarr (2011), Hyperbole and a Half by Allie Brosh (2013), and Fangirl by Rainbow Rowell (2013).

Happy reading all!

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Book Expo 2013: How's the Publishing Industry Faring Since?

Once again Book Expo was held in NYC during a hot (and semi-humid) few days. There was talk about the state of the industry and digital components (and vendors) had a key area in the Digital Zone. What is the state of the industry or really prospects on the state? Hopefully ever optimistic and growing.

Well now that almost two months have passed since BEA, Penguin Random House has officially merged, there've been layoffs at academic publishers such as Wiley and Pearson, and who knows what more may come especially with the DoJ agreement keeping Amazon from owning a good portion of the industry in terms of rights. But, as always around Book Expo of America (BEA) time the outlook for the publishing industry and state of books is optimistic and favorable. But you wonder is this because of the BEA crowd being booksellers, librarians, bloggers, publishing professionals, authors, agents, and the like or because now that there's a day for Super Readers as well extends to people who just have a love for books?

This year BEA was very giving. And while there were rumors of some houses having significantly smaller booths than last year I didn't see much that was different from the past two years before at Jacob Javits Center. Random House had a good sized booth away from the cluster of the big six which helped them move and start lines in the autographing area. And many signings had huge turnouts and waits, particularly those for Rainbow Rowell's latest, Fangirl. The acclaim for Eleanor & Park (St. Martin's Griffin) sent fans standing in line for up to an hour just to get a chance to take a picture of the author whose lovely smile and comical and searing prose was worth the wait.

Rick Yancy's The 5th Wave (Penguin Teen) and Sarah Maas' latest in the Thrown of Glass series (Bloomsbury YA) drew huge crowds and waits before hand as well. And that's just a bit of proof of how much young adult titles continue to grow favor and lines at Book Expo with YA authors being a good portion of those doing signings.

Scholastic Editorial Director and author David Levithan signed two of his new/upcoming titles, one of which is the gorgeously elegiac Two Boys Kissing (Knopf for Young Readers). Veronica Roth signed posters for Allegiant (Book 3 in the Divergent trilogy, Katherine Tegen Books). Marie Lu signed samplers for Champion, the last book in the Legend series and she'll be gearing up for her new series with Penguin due out fall 2014.

Algonquin had a YA takeover at their booth one of the days of BEA in celebration of their new Young Readers imprint that will have debuts this fall. Two of their titles were on the YA Buzz Panel. Hitting the 30 year anniversary it seemed apt that a new imprint could bring a new face to Algonquin. And one of the big draws and titles talked about on the Buzz Panel were If You Could Be Mine about two girls in a relationship in Lebanon and the MG book The Time Fetch. And even Tuttle Publishing which is known for it's books bringing Asian education and flair to the marketplace has YA books they were promoting alongside many of their popular cookbooks. And with Paleo becoming a bigger contingent in the cookbook scene Tuttle Publishing has that covered.

There was also the literary contingent with Andre Dubus III signing a new book out with Norton. Elizabeth Gilbert signing her new fiction title with Penguin. Giveaways for National Book Award winner Jesmyn Ward's latest, a memoir entitled Men We Reaped about the men she's lost in her life and her life in the South. Colum McCann signed hard copies of his first book since he won the National Book Award in 2009, Transatlantic. Add in the talkative Adriana Trigiani and Jason Mott whose debut The Returned from Harlequin imprint Mira has been getting raves and there's a well-rounded amount of authors for a diverse audience. There was the hype for Burial Rites a debut from Hannah Kent and Wally Lamb's latest along with Son by Phillip Meyer. And Neil Gaiman didn't just have a children's book he was promoting and signing he also had an adult one (The Ocean at the End of the Lane) and drew a HUGE crowd on Saturday morning for his talk on writing and the business along with a signing afterwards.

Amy Tan was there to speak of her new book due out in November. Jim Carrey had a fast-moving line curling around Perseus's distribution booths for signing of posters for his first picture book for kids and Chelsea Handler was there for photo ops. Julianne Moore had another children's book she was promoting and Giada De Laurentiis signed her first children's book as well called Recipes for Adventure with an imprint at Penguin. But the biggest star seemed to be Grumpy Cat who had about a 45 minute wait for a picture beside him. But you could not touch the cat. At all.

So that's the fun stuff, but what about the business of publishing? How is that going? Ebook sales are rising but still do not make up a huge portion of the market. They take up 15-20% of sales in trade and many independent presses and small university presses are trying to find a piece of that pie. Making the Digital Zone and coinciding conference IDPF huge draws for industry professionals to get to know what's available on the digital side and how they can reap the benefits for low costs.

Even with sales not taking a huge piece of the pie like expected ebooks are and will continue to be very important to the market. Kobo, one of the lesser known e-readers may soon be striking a deal with the American Booksellers Association (ABA) to distribute their ebooks exclusively with independent stores helping both parties in one swoop. One of the detriments of the indie store has been competing in the digital market and a contract with Kobo can improve that. I mean look at this New Yorker cover (below). Doesn't that say enough about the state of the indies? Especially indies in big cities like NYC where ones pop up but need a steady base of customers to continue to go to. And in places like Queens and the Bronx we do not have many if any.

From the agent perspective, especially if you follow the Twitter-verse and look at new books coming out in the Young Adult realm certain trends are slowing and others are surging. Amy Tintera's Reboot and T. Mike Martin's The End Games both play off of zombies, which may be the new "thing." Dystopian is losing ground but there are still new ones coming out like Joelle Charbonneau's The Testing series from HMH Kids. And aliens are making a comeback! (See the popularity of The 5th Wave and also Malinda Lo's sequel to Adaptation.) Maggie Stiefvater's latest in the Raven Cycle series was a huge item up-for-grabs and traipses along a new line of fantasy and mystery and the hunt for a mystical king. Whereas contemporary YA is gaining ground and will always have relevance (note what I said about Rainbow Rowell's line).

Mysteries and their big name authors like James Patterson and Preston & Child had ARCs flying off the floor. And with the Readers Day on Saturday people went buck wild about the freebies.

More MG is being sought by publishers and agents. More specific stories and non-recycling of themes we've seen/heard/read before. It's becoming harder to become unique if in certain instances trends are the thing but good writing is good writing and books is what excites everyone about BEA in the first place.

So what is the outlook on the publishing industry? Well, it has ebbs and flows as any business does. Super Readers on Saturday proved to be big fans and also those in education seeking out titles to give to students and promote reading. Books will always be a necessity whether for entertainment, inspiration, or education. And BEA tends to remind those of us in the industry how much people enjoy it and how important it is. Yes, people get very grabby hands at BEA and there is shuffling of bodies and pushing of arms and taking of items clearly marked for sale but in the grand scheme of things it's about books and book lovers and uniting them for a celebration of the industry not just an analysis of it.

Time will tell what the (immediate) future holds for publishing. A lot of predictions made don't come to fruition. A lot of sites in beta may or may not be the next huge thing. And many books predicted to be hits may flounder and those that barely got any publicity may surge due to word of mouth from various people in the community. There's no true tell-tale sign except that publishing needs to be malleable and change with the times while consistently seeking to produce great content and find the audience for it.

For next year and the year after BEA will still be held in New York City at Jacob Javits before going off to Chicago for a year or maybe more. It's been really nice having BEA in my hometown/backyard for the past three years straight and I'll continue to enjoy it no matter the locale.

 

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